(Click here for older pic)
David Matheson - (guitar, accordion, piano)
David Matheson also answers to Dave, Dave-o, Mr. Cheese, and--a title with a bit more distinction--the King of Spain. Born February 17, Dave is reputed to have been able to play an accordian before he could walk. His instrumental repertoire also includes--but likely isn't limited to--guitar, percussion, keyboard, and the notoriously untuneable banjo. And don't let that calm, laid-back demeanor fool you: underneath lurks an unrepentant and irrepressible punster!
The Internet Movie Database has Dave's acting filmography.
(Click here for older pic)
Mike Ford - (guitar, percussion, piano)
If Dave is the punster, Michael Ford may well be the pundit of the group. He's quite the old hand at this performing gig, senior to the others by a few years (born September 27), and a married man (to Terri, on May 11, 1996). All innovation and no inhibition on stage, Mike's alter-ego credits also include Spiderman, Grampa Früvous, and Lou Reed. Of the four Frülads, he's probably the most liable to leap from the stage to tango with his audience, craft a new song to an old folk melody, or regale the crowd with a few lines in Francais. His instruments of choice include guitar, harmonica, keyboard, drums, and the megaphone.
Websites for Mike: gordsgold.com
(Click here for older pic)
Jian Ghomeshi - (drums, percussion, tin whistle)
Jian Ghomeshi (pronounced 'ZHEE-on go-MESH-ee') is given to wearing his heart on his sleeve--or at least his passions on his chest, with provocative slogans and bon mots on his shirts. He's primus inter pares when it comes to discoursing on social and political issues with the audience, especially concerning Früvous' home province of Ontario. He's also likely to break into anything from snippets of musicals to lounge music to Beatles classics. You might find him relatively stationary at his drum set or playing guitar or tin whistle, but in the a cappella songs--and particularly as Sam-I-Am--he'll be dashing about the stage, exhorting the audience to sing and dance along. He was born on June 9 to a family of Iranian heritage.
(Click here for older pic)
Murray Foster - (bass)
Murray Foster, sometimes dubbed Mur or the Mur-man, is the master of the low end. He'll occasionally take on the guitar or percussion, but he's far more likely to be playing bass, and it's his rich bass voice rounding out the vocal harmonies. He brings up the pack, age-wise, with his birthday on June 29. Given to the pithy comment and the wry chuckle, Murray often seems somewhat like a stabilizing factor when Früvous' antics and impromptu jams drift a bit far from the set list. In fact, you might think of Murray as the anchor of the group--at least, until he throws his bass in the air.
Websites for Murray: waytogomurray.com
Colin 'Cal' Stanutz - (Production Manager, FOH Mixer)
Adding validity to the expression, "you have to watch out for the quiet ones," is Colin "Cal" Stanutz. Born July 27, Cal is making his 2nd tour of duty with the Frülads as their Front of House Mixer, general sound guru and scoth connoisseur. Always a professional at shows, the man with the constantly changing hair color can be found turning dials behind the soundboard or making occasional onstage appearances to adjust instruments and microphones. With a sharp mind and good spirit, Cal's a great person to talk to on any subject, a killer at crossword puzzles and willing to help früheads with audio tech questions. If there's a problem to be solved, Cal's the one you want handling it.
Websites for Cal: colinsmix.com
Dave Tobey - (Tour Manager)
This Peterborough, Ontario native with exceptionally-long brown hair is most commonly known as "Tobey" to avoid confusion with the bald banjo player in the band. Working as the Moxy Früvous tour manager, you can find him ensconced behind the merch table at any show, always willing to hand out Frümiles stamps, hugs and helpful advice. Sugar addicts, be forewarned! Although he doesn't drink or smoke, he will admit to a serious Pez addiction and, in fact, is quite the Pez pusher. While he plays on offstage role with Moxy Früvous, he is a performer in his own right with his own band Pitchfork. As your manager, Tobey is the details man, ensuring things run smoothly at venues, doring most of the Frübus driving and greeting fans with an ever-present warmth. Tobey was born on April 10. This is also the day the Beatles broke up. We're sure it's just coincedence.
Judith Coombe - (Management Assistant - Jam Entertainment)
If you have a question about t-shirts or tour dates and call Früvous Headquarters, the friendly voice on the end of the line is Jude Coombe. If you're lucky, you'll get the chance to meet the always-smiling Jude at the occasional show helping out behind the merch table. A Früvous supporter from before the Bargainville days, Jude started working with the band in March of 1997. She's a huge supporter of Canadian music, and loves to see live shows every night of the week! So, look for her when you're out and about in Toronto.
(got a good pic of Jill? send it in!)
Jill Primeau - (Management Assistant - Jam Entertainment)
Jill took over Jude's role at Jam after Jude departed for a position at Blue Rodeo in January of 2000. Jill stopped working in this capacity in early May of 2000. (More info on Jill coming soon!)
(got a good pic of Barb? send it in!)
Barb McIvor - (Management Assistant - Jam Entertainment)
Barb took over Jill's role at Jam in May of 2000 after Jill departed for a position as Artist Liaison at Massey Hall/Roy Thompson Hall. Barb's email is firstname.lastname@example.org. (More info on Barb coming soon!)
(got a good pic of Jack? send it in!)
Jack Ross - (Manager - Jam Entertainment)
Jack began working with Moxy Früvous in 1992. He has been their manager since the busking days. There's nothing that Jack wouldn't know about the Früvous machine, and nothing that can happen without him. As well as the full-time job of managing Moxy Früvous, Jack also founded the Canadian office of the international booking agency, The Agency Group where he oversees a roster of forty acts and a full-time staff of six.
The following was originally written by Sharilyn Johnson and Chris O'Malley, and was then compiled, edited, and supplemented by Colleen Campbell (thanks Cee!):
Updated on 8/29/99 by Chad Maloney:
Think back a few years. The 80's have ended: college graduates are beginning to be confronted with the fact that a degree does not equal a job; a new form of music, call it "alternative" or "progressive" as you will, is seeping up from the ranks of the disgruntled garage-band musicians. Perhaps in response to trends such as these, perhaps to bring in some extra pocket money, and perhaps just for a lark, four young men formed a band and took to the streets of Ontario for some busking. Thus was born Moxy Früvous.
In 1990, Mike Ford, Murray Foster, Dave Matheson, and Jian Ghomeshi were neither novices to the world of music nor strangers to each other. They knew each other from attending Thornlea Secondary School in Thornhill (a suburb of Toronto), from theater classes in high school, and from various musical projects. Jian and Murray had been in a mid-80's new wave band, Tall New Buildings; they were joined by Mike (to create The Chia Pets, which played covers at weddings and the like) and later by Dave.
Moxy Früvous frequented Harbourfront and the Bloor St. Cinema on the weekends, often playing three 20-minute sets in an afternoon and drawing crowds of a couple hundred people with their antics. Their music was catchy, somewhat extemporaneous, and driven by their vocals, keeping instrumentation to a minimum. As legend has it, one afternoon a producer from CBC radio grabbed them to perform on "Later the Same Day," a drive-home show. Früvous became regulars on the show and were commissioned to write short satirical songs about local issues. From these came "My Baby Loves a Bunch of Authors" (for the authors' festival in Toronto) and "The Gulf War Song"; but most were what Früvous calls "short shelf-life songs."
Früvous began playing indoors in the summer of 1991. In early 1992, they decided to release an independently-produced cassette. They printed only a thousand opies, originally believing it was for their friends and family that they were producing it. Over fifty-thousand copies of the cassette and a year's worth of placing on the Canadian Independent Charts changed their minds. They toured across Canada, promoting their cassette and winning a CASBY award for Favorite New Group. Offers, of course, came pouring in from record labels, and they opened for performers like Bob Dylan and the Barenaked Ladies.
Früvous signed a five-album contract with Warner Music Canada, with releases in the U.S. by Atlantic Records (an agreement no longer in effect). The first of these to be released was "Bargainville," a fifteen-track album which included recordings of five of the six songs from the independent cassette. It was an immediate success: the first single, "Stuck in the 90's," hit the top ten in radio and video, and the album went platinum. Früvous took to the road again in the fall of 1993 on the Bargainville Tour, touring across Canada and down into the U.S. in early 1994, where "Bargainville" was being released.
Moxy Früvous has maintained an extremely busy tour schedule for most of the time since, extending their range to regularly include the northeastern and midwestern U.S. They played Europe in the summer of 1994, hitting England, Scotland, and Denmark, and returning for engagements in the next couple summers, including the prestigious WOMAD festival in 1996. For the first time in years, they ventured to Western Canada and down the West Coast of the US in 1998 and have included those areas in their 1999 touring schedule as well.
Früvous took a break from touring in early 1995, heading back to the recording studio. The result was an album more rich and dense in instrumentation--most of which the band played themselves, with guest Danny Levin appearing as violinist on several tracks. The songs were more personal to the band, and most of their fans considered the work a distinct break from "Bargainville." The Canadian release of "Wood" was not followed by a release in the U.S., and for this reason, the band became disenchanted with the performance of Atlantic Records. A year after "Wood" was recorded, Früvous produced an independent EP, "The B Album," which they describe as a collection of unreleased "satirical bits and oddities" culled from their work from 1990 onward. "The B Album" features short works with inobtrusive or no instrumentation; it was picked up by Warner in Canada after some success with primarily self-promotion by the band.
They resumed their fast-paced tour schedule immediately after recording "The B Album," finally breaking in November of 1996 to record their third full-length album, "You Will Go to the Moon." Unsurprisingly, it is also an album of experiments and surprises, new instruments and the constant challenge to explore uncharted musical terra. In the U.S., "You Will Go to the Moon" was the first release of fledgling indie label Bottom Line Records. Bottom Line also rereleased "Wood" and "The B Album" in the United States in 1998, making those albums widely available there for the first time.
Früvous still considers their live show to be the backbone of their success as a group--and anyone who has seen them perform is likely to agree. Always innovative, easy-going, and highly responsive to their audiences, they indulge themselves in banter and quipping on stage, break out into impromptu and improvisational songs, freely switch among the several instruments (many unconventional) that each plays, and establish a rapport with their audiences. It's therefore no surprise that their next album was an attempt to capture the energy and joie de vivre of their shows. Recorded at six shows (and throwing in tidbits from a couple more) during their fall '97 tour, released in the spring of '98, and greeted enthusiastically by fans and critics alike, "Live Noise" was finally the album that showcases most of what makes Früvous the unique band they are. Bottom Line Records had enlisted the help of BMG in distributing "Live Noise" more broadly in America, so for the first time, fans in the U.S. and in Canada could locate a Früvous album with equal ease on the shelves of their major music outlets. Having access to a concert in the CD player won't make them any more blase about attending as many shows as possible, though. Their fans are just as enthralled to see the Lads up close and personal as they were back in the days when Früvous was playing on the streets of Toronto for pocket change.
Continuing the musical adventure that is Moxy Fruvous, the band
proceeded to break out new material at their live shows starting
in April of 1998. In preparation for their next full-length release, the
band test drove more than 14 new songs in front of audiences across the
United States and Canada. Entering the studio in March of 1999, they
recorded with producer Don Dixon. 12 of the recorded tracks were chosen
as a package. The result was "Thornhill", an album showcasing the
influences that the times and music had on the four members of Moxy
Fruvous while growing up in that suburb of Toronto. With a new flourish
of publicity in and around Toronto, the album was released in August of
1999. In the United States, the album was released on Bottom Line
Records. With their Warner Canada contract up after 5 albums, the group
released "Thornhill" in Canada on True North records.
The article published in the November 1996 issue of
Sing Out! magazine contains
a very well put together biography of the band.